Students who pursue the theater arts within Skidmore’s liberal arts curriculum learn to ask important questions, curiously explore alongside inspiring faculty and guest artists, and spread their wings through a variety of enriching experiences. 

What will you learn?

At Skidmore, theater is a pre-professional program designed with outcomes in mind. Our curriculum provides training in the core demands of the discipline — physical and vocal control, acting and directing techniques, and technical and design skills — along with opportunities for advanced study, production experience, study abroad, and off-campus internships.

Take a closer look at Skidmore Theater

Ready to dive deeper? Explore current and past productions, as well as other news and events, on the Skidmore Theater website.

Visit full theater website

Curriculum highlights

Skidmore’s theater major offers three concentrations. All students must also fulfill a writing requirement, an essential skill for all theater artists.
A group of theater students perform on stage with a red and black curtain background. The front performer wears a white vest, black pants, and top hat with arms thrown out in a dance and large smile. Background dancers are wearing white dresses while performing.

Acting and directing

Train seriously in acting and directing within a liberal arts context, combining conservatory-level opportunities with the freedom to explore other academic interests. Then put those skills into practice through Skidmore productions and other offerings.
Two students work to build out the set for a theater production. They are crouched down building out a wooden structure with tools.

Design and production

Gain experience in scenic, costume, lighting, and sound design, along with courses in stage management, technical direction, and production. You can also contribute meaningfully to fully staged productions, from concept through performance.
A group of students sit in chairs smiling and laughing while facing forward.

Management and dramaturgy

Bridge the creative and the logistical through courses and opportunities in producing, arts administration, and dramaturgy. Engage in script analysis, research, and supporting and shaping live performance.

Where will you go?

Our graduates thrive on Broadway, in film, and in careers that demand creativity and precision. They leave with the experience, connections, and confidence to excel in competitive industries. 

Career paths Recent employers Graduate schools
  • Actor/performer
  • Designer
  • Director/Devisor
  • Educator
  • Producer, manager, agent, casting director
  • Stage manager and technician

 

  • 20th Century Fox
  • A24
  • AMC
  • The Bushwick Starr
  • FX
  • Geffen Playhouse
  • HBO
  • Marvel Studios/Disney+
  • MOMA: The Museum of Modern Art
  • Netflix
  • New Victory Theater
  • American Repertory Theater at Harvard University
  • Brown University / Trinity Repertory Company (MFA Program)
  • New York University
  • Northwestern University
  • University of California, Irvine
  • University of California, San Diego
  • University of Pittsburgh 

Recent productions

Skidmore Theater offers a dynamic slate of fully produced, student-run productions each year — from new and contemporary works to reimagined classics.
A large group of students perform on stage to 'As you like it'. Some hold instruments, some are sitting on the ground, while others are standing. All are singing with an intricate set design in the background.

‘As You Like It’

“All the world’s a stage” in this romantic comedy set in the early 1900s in the Adirondacks!
Two theater students perform on stage set up as a bedroom. One actor is jumping off the bed with their arms raised out, while the other sits in a chair watching.

‘Black Super Hero Magic Mama’

After the tragic loss of her son, a grieving mother escapes into a comic-book fantasy, battling villains while searching for justice and healing.
Four young women sit on a tan couch with a set designed kitchen in the background. All are focused on having a conversation with one individual in particular.

‘Last Summer at Bluefish Cove’

Set in 1980 in a lesbian seaside community, this play explores chosen family, the freedom to exist, and caring for loved ones.
A young woman stands while smiling in front of a detailed stage set featuring a rustic wooden interior, including a bed, vintage refrigerator, small kitchen area, and living room furniture.

Designing the story

For her senior project, Adelaide Lance ’25 brought a fully student-run production to life with an immersive set that blended narrative depth and scenic design — a vivid example of how Skidmore Theater empowers students to lead, collaborate, and shape meaningful work on stage.
Read Adelaide's story
Miranda fellows sit together on a black stage making playful faces at each other and smiling. The one sitting in front of the other four has their arms raised out and hands opened wide.

Miranda Family Fellowship

The Miranda Family Fellowship at Skidmore College supports up to five students from their junior year through one year post-graduation with full-need financial aid, mentorship, and a paid summer experience in theater, dance, music, or arts administration.
Meet the Miranda Fellows

Notable alumni

Skidmore Theater’s alumni are creative professionals across theater, TV, film, education, and more.
A well-dressed man stands in front of a step-and-repeat backdrop for a Public Theater and Shakespeare in the Park event. He is wearing a rust-colored blazer over a black shirt and black trousers, with a butterfly pin on his lapel.

Julian Tushabe ’22

Actor Julian Tushabe ’22 is a theater and voice actor who made his Off-Broadway debut in the star-studded cast of “Twelfth Night.”
Read Julian's story
Erin Daley '09 stands outside with hands in her pockets and a dark city scape in the background.

Erin Daley ’08

Erin Daley ’08 is the artistic director of Primary Stages, an Off-Broadway theater company dedicated to showcasing “new American plays and playwrights.”
Read Erin's story
Headshot of David Miner '91 with black background

David Miner ’91

David Miner ’91 is a producer best known for “Hacks,” “Never Have I Ever,” “30 Rock,” “Parks and Recreation,” “Master of None,” and “Unbreakable Kimmy Schmidt.”

Frequently asked questions

We’re glad you’re curious — here are answers to the questions we hear most often from prospective students and families on theater at Skidmore.

We hold an info session at the beginning of each semester, where any student can come and learn about our upcoming shows, auditions, course offerings, and production opportunities. We also hold a Theater Company meeting every Friday from 2:30 to 4 p.m. in the Mainstage space, where we gather as a community to reflect, discuss, collaborate, and learn. Theater Company is open to any Skidmore student and often includes work-in-progress presentations, design demonstrations, guest artist Q&As, student announcements, and info about both professional and academic opportunities. If you're interested in being involved in Skidmore's Theater Department, we highly recommend signing up for our three-day Pre-Orientation Program. Whether you think you might want to major in theater or just be involved in our productions, Theater Pre-O is a great way to learn and connect with our department before the school year starts. It's informative, beneficial, and lots of fun! 

The Department of Theater produces a wide variety of events, showcasing eclectic material from all over the world and ranging in period and style from the ancient to the contemporary, from the realistic to the abstract, and from the classical to the postmodern. Our primary goal in planning our season is to offer appropriate opportunities for students to test their skills as artists and to experiment with different styles and genres.   

  • Seminar productions: Every semester, we present two large productions — one in our 348-seat thrust stage theater and one in our flexible Black Box theater (50 to 120 seats). Production processes vary in length, but they are usually five weeks. Our seminar productions are typically helmed by members of our faculty and certain qualified student designers, but occasionally guest artists (outside directors, actors, designers, or composers) participate in these productions. Typically, the spring Black Box production is directed by an advanced senior directing student.
  • Labs and senior projects: Four to six smaller lab shows are produced each semester, usually in our Studio Theater on the second floor of our building. 
  • Free Hour Theater: Every Friday afternoon following our Theater Company meeting, anyone can use the time to explore a new idea or project. In the past we have had play readings, designer experiments, choreography collabs, puppetry and craft projects, etc.
  • Guest productions: Professional guest productions are often brought to the campus and are performed in one of our theaters. Often, when producing the work of a living playwright, we have sought to bring the playwright to campus to participate in the Seminar process. 

All of our shows are selected through a rigorous proposal process by a Season Selection Committee, made up of Theater faculty and students. Our season runs from September through May, concurrent with the Skidmore College academic calendar.

No. Skidmore Theater operates within the greater liberal arts setting of the College, as opposed to a conservatory training program. Students do not have to declare a major until the end of their sophomore year, and everyone is encouraged to become involved in the Theater Department, whatever they may decide to major in. All classes are open to students who have met any necessary prerequisites. Some upper-level classes may be taken only with the permission of the instructor. 

Yes, combined auditions for the seminar and lab productions are held during the first week of each semester and are open not only to theater majors and minors, but to the entire student body. First-year students are encouraged to take part in auditions. Our productions typically involve a well-balanced mix of first-year students, sophomores, juniors, and seniors. Find out more here.

There are opportunities to work in all areas of production: design, directing, playwriting, theater management, dramaturgy, scenic painting, construction, running crew, props, costume, makeup, stage management, electrics, and more.

We believe that every actor is unique and must develop their own process that can be tested and revised as they grow. Therefore, we strive to give the acting student foundational tools in order to explore further training and development as they work on their craft. Our beginning level classes are collaborative and exploratory, examining various acting methods and enhancing the actor’s creativity, imagination, awareness, and sense of self. As the actor progresses, the student will receive further training in more advanced methods, either Stanislavsky-based, such as those developed by Sanford Meisner, Stella Adler, or Uta Hagen, or through other methods such as Theatre of the Oppressed, Black Acting Methods, or physical-based training methods that may include Viewpoints, Suzuki, mask, clown, or commedia. Specialized training is also available in camera techniques, comedy improv, audition techniques, devising, ensemble-based creation, classical training such as Shakespeare, or advanced scene work. We expect students who focus on acting will take voice, speech, and movement classes (primarily based in Linklater, Rodenberg, and Laban), as this will enhance their instrument and is integrated with our curriculum. While it is not a requirement that students take our acting classes in order to be cast in productions, it is highly recommended and will aid students in the production seminar process. 

Many of our students study abroad at Accademia Dell’Arte in Arezzo Italy, the British American Drama Academy in London, and the Gaiety School in Dublin. Students have also taken semesters away at the National Theater Institute in Connecticut, Second City in Chicago, and Sarah Lawrence’s film program.

We strongly encourage students interested in working in the theater to make the best possible use of their summers. Many of our students work in summer theaters throughout the country. We regularly help to place students in a number of local programs including Saratoga Performing Arts Center (SPAC), Adirondack Theater Festival, Williamstown Theater Festival, and The Orchard Project. A number of our students also explore professional internships in marketing, general management, film, and TV. During the academic year, there have been opportunities for students to work with SPAC School of the Arts, as well as Capital Rep in Albany.

We offer courses in Professional Preparation and Theater Management that focus on professional training and building connections for a career in the performing arts. Students work closely with our faculty and guest artists, all professionals in their fields, to prepare materials for job applications and auditions. 

The faculty selects student designers from among the students who have participated in the design curriculum and who have demonstrated excellence and interest. Student designers and assistant designers are enrolled in supervised design sequence and receive academic credit for their work. Be sure that you speak to members of the design faculty for further information.

See Lab Policies and Student Black Box processes here. Students also regularly assistant-direct faculty in seminar productions. Students can also apply to dramaturg seminar productions. 

All productions are stage-managed by students. Our production faculty select student stage managers from students who have served as assistant stage managers and who have demonstrated abilities and a desire to pursue this work. 

Learn more about our faculty and guest artists by exploring the Theater Department’s Living Newsletter, where we feature interviews, creative work, and behind-the-scenes stories.

Discover faculty and guest artists

To see a full listing of current productions, please visit Theater's full website

View current productions

Faculty

Dedicated. Experienced. Cheering you on every step of the way.
Meet your professors

Theater Contact

Office

Janet Kinghorn Bernhard (JKB) Theater
518-580-5430

Chair

Lisa Jackson-Schebetta
Professor of Theater
ljackso3@skidmore.edu

Administrative Assistant

Suzanne Golub
sgolub@skidmore.edu