Revolution and Social Upheaval Les Quatre Saisons de La Kultur
12 3
 
 
syllabus

units
--unit one
--unit two
--unit three
--unit four
--unit five


conclusions

image banks
--l'assiette au beurre
 --La Vision de Hugo
 --Zola au Pantheon

 --Les Quatre Saisons de la Kultur 


The “Theory of Terror: “

 On August 28, Hugh Gibson, First Secretary of the American Legation, accompanied by his Swedish and Mexican colleagues, went to Louvain to see for themselves. Houses with blackened walls and smoldering timbers were still burning; pavements were hot; cinders were everywhere. Dead horses and dead people lay about. One old man, a civilian with a white beard, lay on his back in the sun. Many of the bodies were swollen, evidently dead for several days. Wreckage, furniture, bottles, torn clothing, one wooden shoe were strewn among the ashes. German soldiers of the IXth Reserve Corps, some drunk, some nervous, unhappy, and bloodshot, were routing inhabitants out of the remaining houses so that, as the soldiers told Gibson, the destruction of the city could be completed. They went from house to house, battering down doors, stuffing pockets with cigars, looting valuables, then plying the torch. As the houses were chiefly of brick and stone, the fire did not spread of itself. An officer in charge in one street watched gloomily, smoking a cigar. He was rabid against the Belgians, and kept repeating to Gibson: "We shall wipe it out, not one stone will stand upon another! Kein stein auf einander!—not one, I tell you. We will teach them to respect Germany. For generations people will come here to see what we have done!" It was the German way of making themselves memorable.
 In Brussels the Rector of the University, Monseigneur de Becker, whose rescue was arranged by the Americans, described the burning of the Library. Nothing was left of it; all was in ashes. When he came to the word "library"—bibliothèque—he could not say it. He stopped, tried again, uttered the first syllable, "La bib—" and unable to go on, bowed his head on the table, and wept. (...)
 Destruction of cities and deliberate, acknowledged war on noncombatants were concepts shocking to the world of 1914. In England editorials proclaimed "The March of the Hun" and "Treason to Civilization." The burning of the Library, said the Daily Chronicle, meant war not only on noncombatants "but on posterity to the utmost generation." (...)
 Why did the Germans do it? people asked all over the world. "Are you descendants of Goethe or of Attila the Hun?" protested Romain Rolland in a public letter to his former friend Gerhart Hauptmann, Germany's literary lion. King Albert in conversation with the French Minister thought the mainspring was the German sense of inferiority and jealousy: "These people are envious, unbalanced and ill-tempered. They burned the Library of Louvain simply because it was unique and universally admired" —in other words, a barbarian's gesture of anger against civilized things. Valid in part, this explanation overlooked the deliberate use of terror as prescribed by the Kriegsbrauch, "War cannot be conducted merely against the combatants of an enemy state but must seek to destroy the total material and intellectual (geistig) resources of the enemy." To the world it remained the gesture of a  barbarian. The gesture that was intended by the Germans to frighten the world—to induce submission—instead convinced large numbers of people that here was an enemy with whom there could be no settlement and no compromise.

From: Barbara Tuchman: The Guns of August

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