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The Grotesque:
a powerful esthetic category that disrupts and distorts hierarchical or
canonical assumptions. The notion combines ugliness and ornament, the bizarre
and the ridiculous, the excessive and the unreal. The term derives from
the Italian term for grottos, i.e., the ruins in which ornamental statues
of distorted figures were found in the XV and XVIth centuries (grotteschi).
The Romantic era, with its interest in individualism, and in all those
who before the age of Revolution had been nameless and invisible, made
the grotesque its indispensable adjunct. When Victor Hugo said that the
grotesque is “the richest source nature can offer art” his penchant for
antithesis perhaps never had a more apt example. M. Bahktin placed
the grotesque at the heart of the carnivalesque spirit. In the realm of
the fantastic, it is a powerful weapon used in the revelation and denunciation
of constructs.
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Skidmore College Foreign Language Department | web site design by Jennifer Conklin '98 | revised July 1998 |