detail: The Musician's Hell."
detail: The Musician's Hell."
detail: The Musician's Hell."
detail: The Musician's Hell."
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The work of the Flemish
painter Hieronymus (Jerome) Bosch has long been closely identified with
a demonic strain of the fantastic. In Bosch's great triptych masterpiece,
The Garden of Delights (Madrid, The Prado) scenes of edenic beauty stand
side by side with the teeming suffering of "The Musician's Hell" from which
these selections have been taken. Bosch combines the frightening strangeness
of his stagings with the utter conviction of the dreamer that the vision
must be real, can't be real. The presence of hybrid creatures, the topos
of the world turned upside down, the looming sense of a brutal awakening
are among Bosch's favorite devices in his fantastic visions. All are nonetheless
spiced with Bosch's cruelly intelligent humor. |