Mary-Elizabeth O'Brien, Ph.D.
Department of Foreign Lang & Lit
Skidmore College Saratoga Springs, NY 12866
518-580-5216
mobrien@skidmore.edu


Employment

Currently Professor of German and Chair of Foreign Languages and Literatures, Skidmore College
2003-2007 Director of International Affairs, Skidmore College
1999-2000 Fulbright Senior Scholar, Humboldt-Universität zu Berlin, Germany
1990-1996 Assistant Professor of German, Skidmore College
1986 and 1990 Lecturer, California State University, Northridge
1989 Adjunct Assistant Professor, Whittier College
1988-1989 Lecturer, University of California, Santa Cruz
1982-1987 Teaching Assistant, University of California, Los Angeles

Education

1988 Ph.D., Germanic Languages, University of California, Los Angeles
Dissertation: Fantasy and Reality in Irmtraud Morner's Salman Novels
1987 Freie Universität Berlin, Federal Republic of Germany
1986 C.Phil., Germanic Languages, University of California, Los Angeles
1984 and 1985 Wilhelm-Pieck-Universität Rostock, German Democratic Republic
1983 M.A., German, University of California, Los Angeles
1981 B.A., German, California State University, Long Beach
1979-1980 Karl-Winter-Universität Heidelberg, Federal Republic of Germany
1979 Goethe Institut Blaubeuren, Federal Republic of Germany

Publications

“National Socialist Realism and the Problem Film.” The Intersection of Politics and German Literature, 1750-2000: A Festschrift in Honor of Ehrhard Bahr. Los Angeles: New German Review and the University of California, Los Angeles, 2005.

“The Celluloid War: Packaging War for Sale in Nazi Home-Front Films.” Art, Culture and Media under the Third Reich. Ed. Richard Etlin. Chicago: Chicago University Press, 2002. 158-180.

“The Spectacle of War in Die große Liebe.” Cultural History through a National Socialist Lens: Essays on the Cinema of the Third Reich. Ed. Robert C. Reimer. Rochester, NY: Camden House, 2000. 197-213.

“Aesthetizing War: Eduard von Borsody’s Wunschkonzert.” Seminar 33:1 (1997): 36-49.

“Male Conquest of the Female Continent in Veit Harlan’s Opfergang (1944).” Monatshefte 87:4 (1995): 431-445.

“Das Feindbild im nationalsozialistischen Film.” Zum Thema Nationalsozialismus im DaF-Lehrwerk und –Unterricht. Eds. Joachim Warmbold, E-Anette Koeppel, and Hans Simon-Pelanda. Munich: Iudicium, 1994. 135-141.

“>Ich war verkleidet als Poet … Ich bin Poetin!!< The Masquerade of Gender in Else Lasker-Schüler’s Work.” The German Quarterly 65:1 (1992): 1-17.

Lectures

“Amnesia and Nostalgia as Reactions to the Wende in Post-Wall German Cinema.” Nation and Myth Making in Contemporary German Cinema
SAMLA, Atlanta, Nov 4-6, 2005

“Ostalgie and the Re-Making of German National Identity in Good Bye, Lenin! (2003).” German Studies Association Conference. Washington, D.C. October 6-10, 2004.

“The Films of Helmut Käutner and the Limits of Aesthetic Resistance.” Twenty-Eighth Colloquium on Literature and Film at West Virginia University. September 18-20, 2003.

“National Socialist Realism and the Problem Film.” The Intersection of Politics and German Literature, 1750-2000: A Conference in Honor of Ehrhard Bahr. UCLA Center for Seventeenth- & Eighteenth-Century Studies and the William Andrews Clark Memorial Library. May 17, 2003.

“History, Utopia, and the Social Construction of Happiness in Nazi Cinema.” German Studies Association Conference. Houston, TX. October 8, 2000.

Co-presenter with Cindy Evans. “From Virtual to Real: Theory and Practice in Remote Collaboration for German Language Learners.” “Usages des Nouvelles Technologies dans l'Enseignement des Langues Etrangères (UNTELE 2000).” Compiegne, France. March 22, 2000.

“Das Reich der Fantasie: Der NS-Unterhaltungsfilm und die Volksgemeinschaft.” Historisches Seminar, Ludwig-Maximilians-Universität München. December 17, 1999.

“Film und visuelle Kultur in einer dialogfähigen Web-Umgebung” and “Die Computerbrücke: Ein Versuchsprojekt für DaF-Unterricht.” Deutsch als Fremdsprache am Institut für deutsche Sprache und Linguistik der Humboldt-Universität zu Berlin. December 1999.

“Remote Collaboration for Foreign Language Learners: A Web-based Project for Advanced German.” CTW Conference on “Technology and Language Teaching in New England and New York: A Look into the Future.” Wesleyan University, CT. May 25, 1999.

“Computer Technology in the German Classroom.” NEALL Conference. Skidmore College, Saratoga Springs. March 7, 1998.

“The Celluloid War: Nazi Home-Front Films.” German Studies Association Conference. Seattle, WA. October 11, 1996.

Commentator, “Nazi Cinema.” German Studies Association Conference. Seattle, WA. October 12, 1996.

Commentator, “The Life and Works of Gertrud Kolmar (1894-1943).” German Studies Association Conference. Dallas, TX. October 1, 1994.

“Discontented Domesticity: Containment of Female Desire in the Nazi Melodrama.” UCLA Art History Symposium, “The Politics of Representation.” Los Angeles, CA. May 6, 1994.

Moderator, “Weimar Identities in Crisis.” German Studies Association Conference. Washington, D.C. October 9, 1993.

“Transgression and the Law in Nazi Cinema.” Philological Association of the Pacific Coast. San Diego, CA. November 13, 1992.

“Das Feindbild im nationalsozialistischen Film.” Nationalsozialismus im DaF-Lehrwerk und –Unterricht. Tel-Aviv, Israel. October 8, 1991.

“>Ich war verkleidet als Poet … Ich bin Poetin!< The Masquerade of Gender in Else Lasker-Schüler’s Prose.” Modern Language Association Conference. Chicago, IL. December 30, 1990.

“The Politics of Genre and Medium: A Comparison of Georg Büchner and Georg Herwegh.” Pennsylvania Foreign Language Conference. Duquesne University, Pittsburg, PA. September 8, 1989.
Courses Taught in English

IA 101 Introduction to International Affairs

Courses Developed and Taught in English

LS2.109 The Image of the Enemy in German Film, 1919-1945
FL 250 Culture, Heimat, Nation: The Quest for German Identity

Courses Developed in English

TX 201 International Affairs Regional Topics
TX 202 International Affairs Faculty-Led Travel Seminar
IA 375 Senior Seminar in International Affairs

Courses Taught in German

FG 101, 102, 103 Elementary German
FG 201, 202 Intermediate German
FG 208 German Conversation and Composition
FG 211 Classicism, Romanticism, and Realism
FG 341 The Age of Goethe
FG 371, 372 Independent Studies
FG 374 Senior Thesis

Courses Developed and Taught in German

FG 206 German Language and Culture
FG 213 Introduction to German Literature: Enlightenment to Pre-March
FG 214 Introduction to German Literature: Poetic Realism to the Present
FG 215 Introduction to German Literature: Enlightenment to the Present
FG 220 German Language Across the Curriculum
FG 271 German Language and Literature Discussion
FG 304 Advanced German Composition and Conversation
FG 357 German Literature of the Twentieth Century
FG 363 Special Topics: Contemporary German Literature, 1983-2004
FG 363 Special Topics: After the Wall: German Literature, 1989-1997
FG 363 Special Topics: German Cinema, 1919-1945
FG 363 Senior Seminar: The Nazi Entertainment Film
FG 376 Senior Seminar: GDR Literature
FG 376 Senior Seminar: Post-Wende German Cinema


Multimedia Materials and Web Materials developed

Developed 7 multimedia Elementary German Lessons with X-Engine Templates from Middlebury College. Supported by a Mellon Foundation Grant in Spring 1998

Developed with John Danison a web-based video database delivery system for the course “The Image of the Enemy in German Film, 1919-1945.” Digitized 33 video clips and embedded them in an interactive web environment with HTML, Javascript, Composer, and Media Database on Mac, IBM and Silicon Graphics machines. Funded by a Mellon Foundation Grant in Summer 1998

Co-organized with Cindy Evans a faculty workshop on “Digitizing Film for the German Language Curriculum.” American Association of Teachers of German, Hudson Valley Regional Meeting, June 1, 2002 at Skidmore College. Prepared web-based exercises, film clips, and audio clips for Lola rennt

Seminars, Grants, and Honors

1999-2000 Fulbright Senior Scholar, Humboldt-Universität zu Berlin and Bundesarchiv-Filmarchiv, Berlin
1999-2000 Year Sabbatical, Skidmore College
1997 Skidmore International Affairs Minor Summer Workshop
1996 NEH Summer Seminar, “Nazi Cinema,” with David Bathrick at Cornell University
1995 Skidmore Faculty Research Grant
1994 Loyola College Berlin Seminar
1994 Skidmore Faculty Research Initiative Grant
1993 Semester Sabbatical, Skidmore College

1992

DAAD Study Visit Research Grant for Faculty
1992 Skidmore Faculty Research Grant
1991 NEH Summer Seminar, “Modernity and its Discontents: Film, Literature, and Popular Culture in the Weimar Republic” with Anton Kaes at the University of California, Berkeley

Skidmore College and Professional Activities

Chair, Foreign Languages and Literatures, 2008-

Director of International Affairs Program, 2003-2007

Co-Director of the UISFL Program Title VI-A Grant from the U.S. Dept. of Education (2005-2007)

Coordinator of Self-Instructional Language Program (Arabic, Hebrew, Hindi, Korean, and Portuguese) 1991-1996

College-Wide Committees: Curriculum (2003-2004), Educational Policies & Planning (CEPP) Sub-Committee on Diversity and Study Abroad (Fall 2003), Information Resource Council (2004-05), Integrity Board (2001-2003). Pre-tenure: Academic Computing, Liberal Studies III Curriculum, Liberal Studies I Self-Study, Year of Education on Racism and Genocide

Department Committees: Post-Tenure: Assessment; Curriculum; Foreign Languages Across the Curriculum; Mellon Foundation Grant; Reconfiguration; Technology. Pre-Tenure: Faculty Evaluation; Faculty Recruitment, Tenure and Reappointment Guidelines; Academic Standards and Expectations; Placement Examinations; Language Lab Resources

Freshman Advisor, German Minor and Major Advisor, International Affairs Minor and Major Advisor

Memberships: American Association of Teachers of German, Fulbright Alumni Association, German Studies Association, International Studies Association, Modern Languages Association, Women in German

Office Held: Elected MLA Delegate from New York (1996-1999)