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| Ricardo D. Trimillos |
From the Editor |
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| Articles |
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| Benjamin Krakauer |
On the Recent Diversification of Bāul-Fakir Musical Repertoire in West Bengal: Spiritual Music in a Crowded Marketplace |
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| James Mitchell |
The Rabbit Record Brand of Siam/Thailand 1925–1970: Assessing the Legacy of T. Ngekchuan |
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| Jaco van den Dool |
Blended Modes of Music Learning: Shaping Intermusicality in Kathmandu |
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| Jane M. Ferguson |
I Was Cool When My Country Wasn’t: “Mao” and “Deng” Making Transnational Music in the Golden Triangle |
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| Alexander M. Cannon |
From Nameless to Nomenclature: Creating Music Genre in Southern Vietnam |
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| Book Review |
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| Elizabeth Clendinning |
Kendra Stepputat, ed. Performing Arts in Postmodern Bali: Changing Interpretations, Founding Traditions |
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| Multimedia Review |
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| Rolf Groesbeck |
Kerala, the Cradle of Christianity in South Asia: The Cultural Interface of Religion and Music |
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| Multimedia Review Essay |
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| Lisa Gold |
Bali 1928, Volume 1: Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu—the Oldest New Music from Bali |
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About
the Contributors |
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| Asian Music Volume Contents |
Summer/Fall
2016