| Ricardo D. Trimillos |
From the Editor |
1-2 |
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Articles |
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| Stephen Blum |
A Society and Its Journal: Stories of Hybridity |
3-23 |
| Stefan Fiol |
From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India |
24-53 |
| Lee-Suan Chong |
Tibetan Buddhist Vocal Music: Analysis of the Phet in Chod Dbyangs |
54-84 |
| Tse-Hsiung Lin |
Mountain songs, Hakka Songs, Protest Songs: A Case Study of Two Hakka Singers from Taiwan |
85-122 |
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Book
Reviews |
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| J. Lawrence Witzleben |
Mari Yoshihara. Musicians from a Different Shore: Asians and Asian Americans in Classical Music |
123-126 |
| Kristina Nelson |
Scott Marcus. Music in Egypt: Experiencing Music, Expressing Culture |
126-129 |
| Alexander M. Cannon |
Barley Norton. Songs for the Spirits: Music and Mediums in Modern Vietnam |
129-133 |
| Lonán Ó Briain |
Dale A. Olsen. Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting |
134-137 |
| Jesse A. Johnston |
Benjamin Brinner. Music in Central Java: Experiencing Music, Expressing Culture |
137-140 |
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Audio
Recording Reviews |
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| Lynda Paul |
Raja Edepus
Making of "Raja Edepus" |
141-145 |
| Bruno Deschênes |
La Voix des Ancêtres / The Voice of Ancestors—Karakalpakistan |
145-148 |
| Christopher J. Miller |
Gamelan of Central Java VIII: Court Music Treasures
Gamelan of Central Java IX: Songs of Wisdom and Love |
148-155 |
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About
the Contributors |
156-158 |
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Asian
Music |
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Winter/Spring
2011