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Articles |
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| Peter Manuel |
Transnational Chowtal: Bhojpuri Folk Song from North India to the Caribbean, Fiji, and Beyond |
1-32 |
| Sławomira Żerańska-Kominek |
Tales and Fables of the Chang (Harp) in Darvish Ali's Risalei Musiqi |
33-51 |
| Songü Karahansanoğlu and Gabriel Skoog |
Synthesizing Identity: Gestures of Filiation and Affiliation in Turkish Popular Music |
52-71 |
| Lee Watkins |
Minstrelsy and Mimesis in the South China Sea: Filipino Migrant Musicians, Chinese Hosts, and the Discipling of Relations in Hong Kong |
72-99 |
| Dard Neuman |
The Production of Aura in the Gramophone Age of the "Live" Performance |
100-123 |
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Book
Reviews |
|
| Tina Frühauf |
Joachim Braun. Music in Ancient Israel/Palestine: Arcaeological, Written, and Comparative Sources |
124-129 |
| Tina Frühauf |
Ruth Katz. "The Lachmann Problem": An Unsung Chapter in Comparative Musicology [Be 'ayat Lakhman: Perek 'alum be-musikologyah hashvaatit, kolel mikhtavim ve-hartsaot shel Robert Lakhman she-terem pursemu] |
129-133 |
| Inna Naroditskaya |
Saida Daukeyeva. The Philosophy of Music by Abu Nasr Muhammad al-Farabi |
133-137 |
| Andrew C. McGraw |
Emma Baulch. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali |
137-140 |
| Andrew C. McGraw |
Timothy Taylor. Beyond Exoticism: Western Music and the World |
140-143 |
| Sean Williams |
Martha Feldman and Bonnie Gordon, eds. The Courtesan's Arts: Cross-Cultural Perspectives |
143-145 |
| Eric Hung |
Deborah Wong. Speak It Louder: Asian Americans Making Music |
145-152 |
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Audio
Recording Reviews |
|
| Peter Manuel |
D'Bhuyaa saaj: Live in India |
153-154 |
| Lisa Urkevich |
El Tarab El Aseel by Riad Abdel Gawad |
154-156 |
| Ameneh Youssefzadh |
Iran: Le dotār du Khorassan, featuring Hamid Khezri |
156-160 |
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Video
Recording Reviews |
|
| Ricardo D. Trimillos |
Drumming Out a Message: Eisa and the Okinawan Diaspora |
161-165 |
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About
the Contributors |
166-168 |
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| Asian
Music |
Contents Index |
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