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Articles |
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| Eric Hung |
Introduction: Music and the Asian Diaspora |
1-3 |
| Lei Ouyang Bryant |
Performing Race and Place in Asian America: Korean American Adoptees, Musical Theatre, and the Land of 10,000 Lakes |
4-30 |
| Henry Spiller |
Lou Harrison's Music for Western Instruments and Gamelan: Even More Western than It Sounds |
31-52 |
| Nilanjana Bhattacharjya |
Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity |
53-82 |
| Samson Young |
The Voicing of the Voiceless in Tan Dun's The Map: Horizon of Expectation and the Rhetoric of National Style |
83-99 |
| Paul J. Yoon |
Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations |
100-130 |
| Eric Hung |
Performing "Chineseness" on the Western Concert Stage: the Case of Lang Lang |
131-148 |
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Book
Reviews |
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| Anne Prescott |
Alison McQueen Tokita. Kiyomoto-bushi: Narrative Music of the Kabuki Theater (Barenreiter).
Jay Keister. Shaped by Japanese Minds: Kikuoka Hiroaki and Nagauta Shamisen in Tokyo (Routledge). |
149-153 |
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Audio
Recording Reviews |
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| Micah Martin |
Fabrice Cotri with Umesh Kamath. Mahârâshtra: (inde/India) Chants des Konkanî de Kochi / Songs of the Konkanî from Kochi |
154-157 |
| Sarah Weiss |
John Noise Manis. Gamelan of Central Java II: Ceremonial Music (Felmay).
John Noise Manis with Daniel Wold. Gamelan of Central Java IV: Spiritual Music (Felmay). |
157-161 |
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About
the Contributors |
162-164 |
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Asian
Music Contents |
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