Journal
of the Society for Asian Music Volume 31, Number 2 Spring/Summer 2000 |
Articles | ||
Jason Gibbs | Spoken Theater, La Scene Tonkinoise, and the First Modern Vietnamese Songs | 1 |
Lee Tong Soon | Professional Chinese Opera Troupes and Street Opera Performance in Singapore | 35 |
Edward O. Henry | Folk Song Genres and Their Melodies in India: Music Use and Genre Process | 71 |
Tan Sooi Beng | The Huayue Tuan (Chinese Orchestra) in Malaysia: Adapting to Survive | 107 |
Zvika Serper | Kotoba ("Sung" Speech) in Japanese Noh theater: Gender Distinctions in Structure and Performance | 129 |
Book Reviews | ||
Irene Markoff | Stawomira Zeranska-Kominek with Arnold Lebeuf. The Tale of Crazy Harman: The Musician and the Concept of Music in the Türkmen Epic Tale, Harman Däli. | 167 |
Irene Markoff | Walter Feldman. Music of the Ottoman Court: Makam, Composition and the Early Ottoman Instrumental Repertoire. | 169 |
Audio Recording Reviews | ||
Susan M. Asai | Paul Fisher, compiler and notes. The Music of Japan: The Rough Guide. | 173 |
Linda Burman-Hall | Tunas Mekar and Mark Fuller, producers. Gamelan Tunas Mekar: Music of Bali, Indonesia. | 177 |
David Henderson | Music
Nepal, producer. Shringara Group: Nepali Traditional Folk Tunes. Sur Sudha and Guy Gray, producers. Sur Sudha: Festivals of Nepal. |
180 |
Michael Tenzer | Mickey Hart, producer. Living Art, Sounding Spirit: The Bali Sessions. | 183 |
|
||
About the Contributors | 186 | |
|
||
Asian Music Contents | ||
11 July, 2004 |